Policy Modalities for Support of Ethiopia’s Creative Industries

Authors

  • Wondwossen Belete

Keywords:

creative industries, culture, copyright, public policy, knowledge, Ethiopia

Abstract

Creative industries are a rapidly growing sector in the global economy in terms of income generation, job creation, and export earnings. The creative economy, based to a significant extent on ideas rather than physical capital, offers new, high-growth opportunities for developing countries. The author of this article led a WIPO-commissioned study (Belete & Tadesse, 2014) of the economic contribution of the creative industries in Ethiopia. That study quantified the contribution of "copyright industries" to the country’s economy, and showed the sector's great potential to contribute to sustainable development in the country. Alongside the vast opportunities offered by the creative industries, that earlier study also found a number of corresponding challenges that needed to be addressed by Ethiopian policymakers. In this article, the author provides a framework for understanding the policy issues at play in the Ethiopian creative industries sector and then brings that framework to bear on the findings of his earlier study (Belete & Tadesse, 2014). The result is a set of proposed policy measures that the author determines are necessary for optimal support of Ethiopia's creative economy.

References

Adam, L. (2012).What is happening in ICT in Ethiopia: A supply- and demand-side analysis of the ICT sector. Research ICT Africa (RIA). Retrieved from http://www.researchictafrica.net/publications/Evidence_for_ICT_Policy_Action/Policy_Paper_3_-_Understanding_what_is_happening_in_ICT_in_Ethiopia.pdf

Ali, M., Godard, O., Görg, H., & Seric, A. (2016). Cluster development programs in Ethiopia: Evidence and policy implications. Kiel Institute for the World Economy and UN Industrial Development Organisation (UNIDO). Retrieved from http://www.ifw-kiel.de/pub/e-books/e-book_goerg_12_2015.pdf

Atkinson, R. D. (2012). Copyright policy and economic doctrines. Information Technology and Innovation Foundation (ITIF). Retrieved from https://itif.org/publications/2012/11/26/copyright-policy-and-economic-doctrines

Belete, W., & Tadesse, S. (2014). The economic contribution of copyright industries in Ethiopia. World Intellectual Property Organisation (WIPO). Retrieved from http://www.wipo.int/export/sites/www/copyright/en/performance/pdf/econ_contribution_cr_et.pdf

BOP Consulting. (2010). Mapping the creative industries: A toolkit. Creative and Cultural Economy Series ⁄2, British Council. Retrieved from http://www.acpcultures.eu/_upload/ocr_document/BRITISH%20COUNCIL_MappingCreativeIndustriesToolkit_2-2.pdf

Commonwealth of Australia. (2011). Creative industries: A strategy for 21st century Australia. Retrieved from http://arts.gov.au/sites/default/files/creative-industries/sdip/strategic-digital-industry-plan.pdf

Cunningham, S. D., Ryan, M. D., Keane, M. A., &Ordonez, D. (2004). Financing creative industries in developing country contexts. Retrieved from http://eprints.qut.edu.au/2504/1/2504a.pdf

Department for Culture, Media and Sport (DCMS). (1998). Creative industries mapping document, 1998. Creative Industries Task Force (CITF). London: UK Government.

Dervojeda, K., Nagtegaal, F., Lengton, M., & Datta, P. (2013). Creative industries: Analysis of industry-specific framework conditions relevant for the development of world-class clusters.European Cluster Observatory, European Commission. Retrieved from http://www.emergingindustries.eu/Upload/CMS/Docs/Creative_industries_FCs.pdf

European Union (EU). (2012). Policy handbook. Working Group of EU Member States Experts on Cultural and Creative Industries. Retrieved from http://ec.europa.eu/culture/library/publications/cci-policy-handbook_en.pdf

Federal Democratic Republic of Ethiopia (FDRE). (2009). The national information and communication technology policy and strategy. Ministry of Communication and Information Technology. Retrieved from http://www.mcit.gov.et/documents/1268465/1282796/ICT+Policy_final.pdf/b54ea006-0c42-4085-81f1-9c2a8937a110

FDRE. (2010). Growth and transformation plan (GTP): 2010/11-2014/15. Ministry of Finance and Economic Development. Retrieved from http://www.imf.org/external/pubs/ft/scr/2011/cr11304.pdf.

FDRE. (2015). Growth and transformation plan (GTP): 2015/16-2019/20. Addis Ababa: National Planning Commission.

Flew, T. (2014). Creative industries - a new pathway. InterMEDIA, 42(1). Retrieved from http://eprints.qut.edu.au/68631/1/Intermedia_CI_article_42_1_2014.pdf

Flew, T. (2015). Copyright and creativity: An ongoing debate in the creative industries. International Journal of Cultural and Creative Industries, 2(3) July. Retrieved from http://eprints.qut.edu.au/86117/1/Flew_Copyright%20and%20CIs_IJCCI.pdf

Florida, R. (2004). America's looming creativity crisis. Harvard Business Review, 82(10), 122-136. Retrieved from http://www.lawrence.edu/fast/finklerm/Richard%20Florida_HBR_OCT_04.pdf

Government of Australia. (1994). Creative nation: Commonwealth cultural policy. Canberra: Office for the Arts.

Hackett, K., Ramsden, P., Sattar, D., & Guene, C. (2000). Banking on culture: New financial instruments for expanding the cultural sector in Europe. European Commission. Retrieved from http://www.inaise.org/sites/default/files/u192/bocfinalreportenglishsml.pdf

Holden, J. (2007). Publicly-funded culture and the creative industries. London: Arts Council England.

Lixi, M., & Dahan, M. (2014). ICT as an enabler of transformation in Ethiopia. World Bank. https://doi.org/10.1596/20076

Madsen, F. (2007). Creative industries education in the Nordic countries. Oslo: Nordic Innovation Center. Retrieved from http://www.nordicinnovation.org/Global/_publications/Reports/2008

Mueller, S. L., & Thomas, A. S. (2001). Culture and entrepreneurial potential: A nine country study of locus of control and innovativeness. Journal of Business Venturing, 16(1), 51-75. https://doi.org/10.1016/S0883-9026(99)00039-7

Png, I. P. L., & Wang, Q. (2006). Copyright duration and the supply of creative work. National University of Singapore. https://doi.org/10.2139/ssrn.932161

PricewaterhouseCoopers (PwC). (2011). An economic analysis of copyright, secondary copyright and collective licensing. Retrieved from www.pwc.co.uk/services/economics-policy/insights/ an-economic-analysis-of-copyright-licensing.html

Radwan, I., & Strauss, P. (2010). Achieving the promise of African cultural exports. World Bank. Retrieved from http://sitesources.worldbank.org/AFRICAEXT/Resources/258643-1271798012256/YAC_Consolidated_web.pdf

Reba, B. (2015). Presentation on National ICT Strategy and the indicators needed to track its progress. Paper presented at ITU Regional Workshop on ICT Indicators and Measurements for Africa, Addis Ababa, 27-30 October. Retrieved from http://www.itu.int/en/ITU-D/Statistics/Documents/events/ethiopia2015/3-Ethiopia_presentation_ICT_strategy.pdf

UN Conference on Trade and Development (UNCTAD). (2004). Creative industries and development. Retrieved from http://www.unctad.org/en/docs/tdxibpd13_en.pdf

UNCTAD. (2011). Strengthening the creative industries for development in Zambia. Retrieved from http://unctad.org/en/Docs/dictab20091_en.pdf

UN Development Programme (UNDP) & UN Conference on Trade and Development (UNCTAD). (2008). Creative economy report 2008: The challenge of assessing the creative economy: Towards informed policy-making. Retrieved from http://unctad.org/en/Docs/ditc20082cer_en.pdf

UNDP & UNCTAD. (2010). Creative economy report 2010: Creative economy: A feasible development option. Retrieved from http://unctad.org/en/Docs/ditctab20103_en.pdf

UNDP & UN Educational, Scientific and Cultural Organisation (UNESCO). (2013). Creative economy report 2013: Special edition: Widening local development pathways. Retrieved from http://www.unesco.org/culture/pdf/creative-economy-report-2013.pdf

UN Educational, Scientific and Cultural Organisation (UNESCO). (2009). 2009 UNESCO framework for cultural statistics. Montreal: UNESCO Institute for Statistics. Retrieved from http://www.uis.unesco.org/culture/Documents/framework-cultural-statistics-culture-2009-en.pdf

UNESCO. (2012). Measuring the economic contribution of cultural industries: A review and assessment of current methodological approaches. Montreal: UNESCO Institute for Statistics.

UN Industrial Development Organisation (UNIDO). (2007).Creative industries and micro and small scale enterprise development a contribution to poverty alleviation. Retrieved from http://www.unido.ord/uploads/tx_templavolia/69264_creative_industries.pdf

Van der Pol, H. (2007). Key role of cultural and creative industries in the economy. Paper presented at the 2nd World Forum, Istanbul. Retrieved from http://www.oecd.org/site/worldforum06/38703999.pdf

Watt, R. (2004). The past and the future of the economics of copyright. Review of Economic Research on Copyright Issues, 1(1), 151-171.

World Bank. (2015). SME finance in Ethiopia: Addressing the missing middle challenge. Retrieved from http://documents.worldbank.org/curated/en/2015/02/24011867/sme-finance-ethiopia-addressing-missing-middle-challenge

World Intellectual Property Organisation (WIPO). (2003). WIPO guide on surveying the economic contribution of the copyright-based industries. Geneva.

WIPO. (2014). WIPO studies on the economic contribution of the copyright industries: Overview. Retrieved from http://www.wipo.int/copyright/en/performance/pdf/economic_contribution_analysis_2014.pdf

WIPO. (2015). WIPO guide on surveying the economic contribution of the copyright industries. Revised edition. Retrieved from http://www.wipo.int/edocs/pubdocs/en/copyright/893/wipo_pub_893.pdf

Zaboura, N. (2009). Creative regions: Future trends for digital creative industries in Europe. Report prepared for EU e-CREATE project.

Downloads

Published

23-12-2016

Issue

Section

Research Articles

How to Cite

Belete, W. (2016) “Policy Modalities for Support of Ethiopia’s Creative Industries”, The African Journal of Information and Communication (AJIC) [Preprint], (19). Available at: https://ajic.wits.ac.za/article/view/13606 (Accessed: 12 January 2026).
Views
  • Abstract 323
  • pdf 186